Monday, June 23, 2008
Flowers
I've always been attracted by the beauty of flowers. This is one of the reason why couldn't miss Flowers, the latest art exhibition at Studio Forni in Milan. Since ancient times the giving of flowers were used to communicate passions and emotions to the ones who received it. The language of flowers — Florigraphy, or "flower writing" — has been used from the beginning of the human history and evolved through the centuries.
In England, during the victorian age, a coded language was created by Miss Corruthers. Nearly any flower were given a meaning and it was possible to secretly communicate human passions without using spoken or written words. Most of these hidden meanings are nowadays forgotten by the many, anyway flowers continue to represent human feelings such as passion and happines, life and death.
The same aforementioned human feelings are perceived by the occasional viewer who want to take her time to enjoy this art exhibition. Many italian artists were confronted with the same theme revealing their personalities, artistic styles and sensibilities. Specific techniques were used by each artist: from oil panting to drawing, from photography to mix technique and sculpture.
Gianluca Corona use lights dramatically. He treats flowers as human beings uncovering his intentions since the titles of his artworks. Carlo Ferrari's oil paintings constantly use black as a background color but surfaces are nicely cluttered with the saturated colors of beautiful flower close-ups. Vittorio Guy seems inspired by the ancient oriental art preferring to play with very large surfaces that resemble minimalistic japanese scrolls. His recurring subject — a white flower — could be thought of as an artistic obsession of beauty and purity.
Another artistic obsession could be the one of Doriano Scazzosi who like to depict delicated peonies immersed in romantic and decadent settings. One of his artworks, — Peonie in acqua — who depict four floating pink peonies partially dipped into water, is among the ones I prefer from the entire exhibition and I find it to be a very heartbreaking piece of art.
These were the artists I found more appealing to me, anyway there were a lot more presented in the exhibition and I want to list all of them for your convenience: Agostino Arrivabene, Andrea Barin, Andrea Boyer, Maurizio Bottoni, Paolo Campa, Gianluca Chiodi, Gianluca Corona, Carlo Ferrari, Massimo Gardone, Gigi Guadagnucci, Vittorio Guy, Mario Madiai, Paolo Mazzanti, Gabriele Mersile, Isabella Molard, Doriano Scazzosi, Eric Serafini, Giovanni Sesia, Luciano Ventrone.
The Exhibition is currently closed and was sheduled from 8 May to 15 June 2008 at Studio Forni, via Fatebenefratelli 13, 20100 Milano.
Labels: art, exhibition, nature, painting, photography
Thursday, January 03, 2008
Forms follow building's function
Personally I appreciate a lot historic buildings. In my country, ancient art is everywhere. Art, culture and tradition are part of my heritage.
Anyway I'm attracted by contemporary art and history too, particulary I'm fascinated by the modern movement in architecture and industrial design because it's strongly connected to graphic design and typography.
In Europe the Bauhaus founded in Weimar, Germany, was one of the first colleges and an innovative training centre and has influenced design and architecture all around the world.
Switzerland is another country which can be considered innovative in developing modern architecture.
I'm interested in architectural photography and I like to get abstract images from my shots. In all my compositions, I usually like to play with lines and chromatic contrast.
Below there is a very narrow selection of snapshots I did at the USI campus, Lugano, Switzerland. Enjoy!
© Davide Montellanico, all rights reserved.
© Davide Montellanico, all rights reserved.
© Davide Montellanico, all rights reserved.
All the photos were taken using a digital compact camera Panasonic Lumix FZ2 in a very low light condition and without a tripod, therefore they would result much better exposed and more sharpened if I had used a more appropriate equipment.
Labels: architecture, art, design, photography
Wednesday, January 02, 2008
The soul of New York
Alejandro Quincoces was born in 1951 in Bilbao, Spain where he still lives and works. During his youth he was attracted to both music and art. He studied violin but soon discovered himself in love with figurative art. During the early stage of his career he worked in commercial art for different advertising agencies. Later, at the age of 36, he decided to acquire more skills through a formal education and training in Fine Arts.
He has always had a great attraction to urban lanscape and architecture and his paintings reflect this uncompromised love. All of his painting's subjects, despite being made up of concrete and steel, are treated as living creatures. They all have a distinct personality.
De Nueva York y de su alma is the name of the latest Alejandro Quincoces' exhibition in Milan. The entire exhibition is composed approximately by no more than twenty oil on panel paintings, most of which are large sized.
The exhibition is entirely dedicated to New York City's urban landscape and all the paintings are based on photos personally taken by Quincoces during one of his last stay in New York.
The photos were completely reinterpreteted through the passional nature of the artist. Quincoces add a sense of drama to the lanscapes he portrays.
The colours used are the muted ones of the winter. The sky appears thick and bruised. NYC seems to be wrapped into a never ending misty twilight that reminds the viewer of the romantic sceneries depicted in Turner and Friederick's paintings.
The exhibition is sheduled to run from 8 November 2007 to 5 Junary 2008 at Studio Forni, via Fatebenefratelli 13, 20100 Milano.
The paintings are great and if you stay in Milan during the aforementioned period, it worth a visit!
Labels: art, exhibition, painting
Saturday, December 01, 2007
Today, New York City artist, floral and event designer Wolfang Thom challenges World AIDS Day traditional practice of covering artworks in museum and galleries with black cloth.
The practice was started in 1989 from the activist organisation Day Without Art. In 1997 the group decided that hiding art wasn't the right answer and proposed it as a means to bring AIDS awareness to the masses. Thom agree on that:
Given the option of a Day Without Art and a Day With Art, I say definitely with.
Wolfang Thom.
Labels: art, design, health, politics
Tuesday, August 21, 2007
The equus project
Tim Flach is a British photographer whose passion for animal photography shows through his entire portfolio. Animals are often photographed by Flach during lenghty studio sessions in which all the details were carefully planned beforehand. He usually takes very close shots of his subjects using very unusual angles of view, framing and cropping.
Equus is the title of Flach's last fine art photography book, commissioned by PQ Blackwell Publishing in New Zealand.
All the photos published in the book differentiate themselves completely from the tradition of the equastrian photography genre. The aim of the book is to celebrate the horse in visual form. Flach exclude man from his last work choosing to show the horses alone or at least with other equines:
Historically equestrian art has essentially been a mechanism used to impose status upon patrons, what I’m doing is distinctive because it chooses not to show man with horse.
By separating the horse from man I am able to focus upon celebrating the horse itself.
Tim Flach.
In the first year of the project Flach moves to different continents across the globe to photograph horses against their natural landscapes: Mustangs in the deserts of Utah. Haflinger's high in Austrian Alps, Arabians in expansive deserts, Icelandic Horses against glacial backdrops and racing Thoroughbreds in the pristine confinement of their training environments.
Discovery’s Animal Planet channel accompanied him to Iceland to document his work with Icelandic horses. The documentary titled Through the Lens of Tim Flach Photographer was directed by Chris Purcell.
A preview of the documentary movie as well as his online portfolio are available at Tim Flach Photography.
Labels: animals, art, books, documentary, nature, photography
